THE SIMPSONS SEASON 30 EPISODE 10 MOVIE
THE SIMPSONS SEASON 30 EPISODE 10 DRIVER
THE SIMPSONS SEASON 30 EPISODE 10 FULL

“Living with your folks, the beginning of the end,” Groucho Marx said in Animal Crackers (1930).

THE SIMPSONS SEASON 30 EPISODE 10 MOVIE

He realizes he can experience a movie he’s seen a million times for the first time again through the eyes of children, He also realizes “little ones love useless knowledge.” This is the one scenario where his superpowers actually come in handy. Bart and Lisa put away their cell phones to watch the cemetery showing of “Forward to the Past.” Comic Book Guy points out that a movie screen is “unswipable.” This is also where we see the weakness-as-strength in Comic Book Guy. The segment pokes fun at the generational divide.

THE SIMPSONS SEASON 30 EPISODE 10 FULL

Dracula is all fun and games until you get trapped in a crate full of smooth jazz. Bart, however, gets credit for the best couplet of the evening: “Our parents are undead, our dad will eat your head.” Being Mrs. The bit about comparing decomposing in adjoining coffins to “snuggling for eternity” is very goth, and the “Til death, do each other” line is poetry. It is a Simpsons twist to have Homer vow to do “anything to destroy their paradise.” The concept gets two “fehs” for emphasis.Īt least Homer and Marge get to “see how the other half dies” in a model crypt. They can do it anywhere, on a kitchen or bathroom floor, on a new microwave popping popcorn. They don’t have to lug car seats on airplanes. The young, unfettered couple can sleep in.

Marge pushes to uphold Springfield’s community standards, but appeals to Homer’s base side to manipulate it into action. The best part of the episode is how the “right” things are set in motion for the wrong reasons. Is he prepared to heat formula when he can’t even cool Kumiko’s baby fever? But with Comic Book Guy, we wonder whether a person who spends his entire life dealing with children should actually deal with children. Apu’s children came organically, although Marge’s advice also played a big part in that transition. The discussion at the center is a new one for The Simpsons. Link Tank: Every Spider-Man Animated Movie and Series, Ranked By Den of Geek Staff It works not only as a contrivance, but as a gag in itself. The Simpsons pair up with Kumiko and Comic Book Guy, and of course between the geeky young couple and the domesticated Simpsons, the disparate couples fill in every gap. It’s Trivia Night at Moe’s and every question is so specialized it looks like the game is fixed. Not even adult games, regardless of how much Moe grasps at single entendres for dirty jokes. The grown-ups are gathering at Moe’s, and they’re playing games. He’s in the left-handed forgiveness business. The first adult we see is Ned Flanders, and already eyes are rolling across the country, but he is dispatched in a particularly malicious maneuver, with no regrets nor even a pang of conscience. After a day of it, Homer and Marge need adults. Meanwhile, Springfield families like the Simpsons are circumnavigating the heedless waters of children’s birthday parties - intolerable, mal-nutritious events where every bouncy castle is a death trap - in the hopeful dreams of visiting parents.

More than one, if you count their cosplay universes. Their mornings are spent wandering as aimlessly as the plots of the upcoming Avatar movies. They are now living what seems to be the perfect life. It was a match made in “Bi-Mon-Sci-Fi-Con.” They met in the Season 25 episode “Married to the Blob,” when she was visiting Springfield doing research about America’s saddest cities for an autobiographical manga.

She has fashioned his five breakfast burritos into a Voltron. We find ourselves in Comic Book Guy’s apartment, right above his store, where he has prepared scones for his mangaka muffin, his wife Kumiko Albertson (Jenny Yokobori). This means there is more meat to the story. “The Dad Feelings – Limited” skips not only the couch gag, but the entire opening theme sequence, which is always an early indicator of a good episode. The very thing which pushed him into the comic book netherworld is the information he gleans from it, like reading a Classic Comics adaptation. But the main difference is that here, it is the one dimensionality of the character which adds dimension to him. Christopher Lloyd’s presence even looms over this episode in the film parody.

THE SIMPSONS SEASON 30 EPISODE 10 DRIVER

The sequence is slightly reminiscent of the Taxi episode where we meet cab driver Jim’s family.

The simpsons season 30 episode 10